The Edit is the journal side of The Édito — the place where everything comes together in written form.
Inside Officine Universelle Buly on Rue Bonaparte, where water-based perfume, engraved acetate, old-world apothecary design and personalized details make even a quick visit hard to leave empty-handed, and the smallest purchases feel more like future heirlooms than everyday necessities.
Blush is better than it used to be. The formulas last longer, blend more easily and give you more control over the finish, whether you want something sheer, matte, dewy or somewhere in between. Layering, Patrick Ta’s powder-first method and newer cream-to-powder formulas have all changed the way blush wears, looks and lasts.
The history of Repetto’s Cendrillon ballet flats, from Brigitte Bardot to the pink patent pair I found in Aix-en-Provence.
Butter yellow brings a softer kind of color to summer dressing, working almost like a neutral across dresses, swim, shirting, silk taffeta pants, and the elusive pale yellow manicure.
Shell jewelry feels different when it is worn on cord rather than a chain. From polished stones and natural shells to bright knots and leather ties, these pieces bring color, memory, and a welcomed informality to year-round dressing.
A personal introduction to The Édito, and to the work behind it—from makeup and styling to private clients, editorials, and creative direction. Katie looks back at where KS Luxe began, how the work evolved, and what she’ll be sharing here now.
Finding the right white T-shirt is harder than it seems. This edit looks at seven options, from fitted and structured to relaxed and worn-in.
